AKG C2000B 2010s - Condenser - XLR

Quietly earned its place in serious studios while wearing the label of a “budget condenser.” The AKG C2000B is a Large diaphragm back-electret condenser manufactured in Austria. built to be accessible, yet engineered with enough intelligence and durability to handle real professional work. Over time, it became one of those microphones that simply stayed in use because it delivered, session after session. OPTICAL CONDITION Excellent condition. Extremely light signs of use, barely noticeable. From a normal viewing distance, the microphone presents as almost new. TECHNICAL CONDITION Refurbished, tested, and fully functional. Cleaned and checked for reliable long-term performance. THIS ITEM INCLUDES Matching AKG SA 61 Microphone holder Original packaging BUILD & DESIGN Solid all-metal construction with AKG’s classic Austrian manufacturing quality. The design is compact for a large diaphragm microphone, with a very robust feel. Standard XLR output, phantom-powered. Capsule Large diaphragm back-electret condenser capsule. Unlike externally polarized designs, this capsule holds a permanent charge, allowing for a simpler and more stable construction. A standout feature is the protective foam layer positioned extremely close to the diaphragm, acting as a physical barrier. This unusual design significantly improves durability and helps protect the capsule from dust and moisture over time. Circuit FET-based condenser circuit requiring 48V phantom power. Clean, efficient, and designed for reliability rather than coloration. Controls Pad: 0 / –10 dB High-pass filter: flat / low-cut Simple, practical switching for real-world recording situations. TECHNICAL SPECIFICATIONS Type: Back-electret condenser Polar Pattern: Cardioid Frequency Response: 30 Hz – 20,000 Hz Sensitivity / Impedance: Standard condenser / low impedance Output: Balanced XLR Powering: 48V phantom power Made in: Austria SOUND CHARACTERISTICS Focused, clear, and slightly forward in the upper mids. The C2000B has a controlled low end and a present top that helps sources sit in a mix without excessive processing. Compared to more expensive LDCs, it is a bit tighter and less “lush,” but that’s exactly what makes it so usable. Works especially well for: Acoustic guitar Vocals (especially in dense mixes) Snare drum and percussion General studio utility FREQUENCY RESPONSE Estimated Frequency Response: 30 Hz – 20,000 Hz Controlled low end with gentle roll-off below ~60 Hz Noticeable presence lift around 4–7 kHz Clean high-frequency extension with slight emphasis Love this item? Explore more! Check out our store for more amazing Microphones. You might discover a new favourite mic!